Zohra Opoku and Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) present We Proceed in the Footsteps of the Sunlight, Opoku’s first museum survey exhibition. Tracing a decade of quiet revolutions in cloth, memory, and self, the exhibition brings together textured expressions of personal history and cultural inheritance, revealing an artistic journey in constant motion. Born in 1976 in Altdöbern (former GDR/East Germany), Opoku later relocated to Accra, Ghana, to reconnect with her ancestral roots. She now lives and works in Accra. Her multidisciplinary practice, deeply rooted in personal history and cultural heritage, explores the layered intersections of identity and memory, bridging cultures, geographies and time.
For Opoku, this dialogue becomes a form of visual storytelling—an evolving, textured archive of identity that is both intimate and quietly powerful. Trained in fashion design and photography in Germany, Opoku extends her command of textiles into a layered visual language, moving fluidly between photography, printmaking and textile-based installation. Fabric emerges as a generative medium through which questions of identity, memory and ancestral lineage are thoughtfully explored. These themes unfold across the breadth of her practice, as she turns to printmaking, photography and sculpture as complementary mediums for reflecting on selfhood and lived experience.
This survey maps the artist’s trajectory over the past decade through several major bodies of work, anchored by three recurring elements: Water — signalling the fluidity of practice and sanctification of daily rituals, as seen in After the prayer / before the prayer (2018); Breath — the life force that feeds the spirit, suspended between life and death, explored in The Myths of Eternal Life (2020–2024); Ground — the stabilising force of nature, a site of comfort, rootedness, identityand familial belonging, depicted in Queen Mothers (2016), Unraveled Threads (2017) and Give Me Back My Black Dolls (2024–ongoing). The title, We Proceed in the Footsteps of the Sunlight, is drawn from the Book of the Dead—also known as Coming Forth by Day—an ancient Egyptian funerary text guiding the soul beyond the physical world. As far as Zohra Opoku interpretates it, it becomes a quiet declaration: a record of passage through turbulence and a signpost to the path ahead. The full extract reads: I proceed in the footsteps of the sunlight. I am one who knows the path of secrets (and) the Gate of the Field of Reeds. I exist therein. See me, I am come. I have overthrown my enemies upon the earth. My corpse, it is buried.
We Proceed in the Footsteps of the Sunlight forms part of Zeitz MOCAA’s ongoing series of in-depth, research-driven solo exhibitions that centre and contextualise the practices of significant artists from Africa and its diaspora, while engaging with pivotal themes in Pan-African history. Extending beyond the continent’s borders, this programme embraces enduring and emerging entanglements, positioning Africa within a global context and the world within Africa’s. As a groundbreaking institution dedicated to preserving and promoting contemporary art from Africa and its diaspora, this exhibition reflects the museum’s vision to produce and present cutting-edge contemporary exhibitions, deepen art historical knowledge, amplify the careers of Africa’s most talented artists, strengthen education programmes and ensure access for all.
Zeitz MOCAA’s exhibition and curatorial programming is generously supported by the Mellon Foundation and BMW South Africa. Curated by Beata America and Dr Phokeng Setai, the exhibition opened on the 11th of September 2025 and will run until the 4th of October 2026 at Zeitz MOCAA, Cape Town.
