East Africa

Wangechi Mutu’s New Museum Survey: A Stunning Celebration of Black Femininity

Pinterest LinkedIn Tumblr

Wangechi Mutu’s latest exhibition at the New Museum in New York City is a must-see for art enthusiasts. The exhibition features over 70 works by the Kenyan-born artist, including collages, sculptures, and installations.

Firstly, Mutu’s works are visually stunning, with intricate details and vibrant colors that capture the eye. Her works also carry a deeper message, exploring themes such as gender, race, and identity, as an african woman.

Moreover, Mutu’s works challenge traditional notions of beauty and femininity, creating a new standard that celebrates imperfections and uniqueness. Her pieces are a reflection of the modern world, where diverse identities and experiences are embraced and celebrated.The exhibition also showcases Mutu’s evolution as an artist, with works dating back to the early 2000s and more recent pieces. This progression highlights the artist’s growth and development, as well as her ability to stay relevant and thought-provoking.

“The Seated I,” piece is a towering sculpture that depicts a female figure sitting atop a throne made of discarded electronics. The figure’s head is adorned with a crown made of snakes, and her arms are outstretched, as if she is commanding attention from all who enter the gallery. “Women’s bodies are always at the front of expression, the hostility, the magnificence of how humankind sees itself.” says Mutu.

To me, this image resonates with the powerful spirit of an African warrior, much like the legendary Mekatilili wa Menza. This is how I see her, strong and determined, fighting for the rights of her people.

Image courtesy of Gladstone Gallery instagram :The Seated IV, 2019 – Wangechi Mutu

Throughout the exhibition, Mutu’s exploration of the human form is a recurring theme. Many of her works feature distorted or fragmented bodies, drawing attention to the ways in which society shapes our perception of ourselves and others.

In addition to her individual works, the exhibition also includes a number of installations that create immersive environments for visitors. One such installation, “The End of Carrying All,” is a forest of hanging sculptures made from plastic bags and other discarded materials. The installation encourages visitors to consider the impact of our consumerist culture on the environment

Image courtesy of arttemporary Zurich: Wangechi Mutu -The End of Carrying All ,2015 

Additionally, the exhibition offers a glimpse into Mutu’s creative process, with sketches, drawings, and notes on display. This behind-the-scenes look at the artist’s process adds another layer of depth and understanding to the works on display.Wangechi Mutu’s exhibition at the New Museum is a thought-provoking and visually stunning display of the artist’s works. Don’t miss this timely and relevant exhibition that explores identity, beauty, and culture.

Author

Rose Mwikali Musyoki is a creative writer from Nairobi, Kenya. She holds a Bachelor's degree in Business and Finance from the University of Embu, Kenya, and is the founder of Bloom Inc, an art startup in Kenya. Currently, she works as a writer for Art Network Africa.

Write A Comment