The Vanguard Gallery makes its debut in London with a vibrant exhibition celebrating contemporary African voices. Titled In the Act of Becoming: An Ode to Self and Story the exhibition delves into the journey of self-discovery. Curated Modeleola Shodipothe exhibition highlights the ever-evolving sociopolitical landscape of the African continent. She juxtaposes historical perspectives with contemporary works by creating a multigenerational dialogue of reflection and imagination. This inaugural exhibition will mark the launch of The Vanguard platform dedicated to amplifying Black voices. The platform aims to shed light on the current and future geopolitical landscape of Africa.
Fabric and oil on canvas. 153 x 122 cm. Image courtesy of The Vanguard Gallery.
Modeleola Shodipo, the Nigerian and London-based curator behind the exhibition, is also a finance professional and the founder of The Vanguard Gallery. She established the gallery with a mission to bridge African history with future imaginative possibilities. By spotlighting Black artists examining contemporary Africa, The Vanguard Gallery transforms into a nomadic space. It converges the past, present, and future of the continent, embodying the themes celebrated in its opening exhibition.
“Our goal is to pierce the veil. We want to shine a light on overlooked complexities and do so on our terms,” Shodipo explains. “Through this exhibition, I hope to create a moment of reflection—an opportunity for audiences to feel a sense of peace and pride, both culturally and personally, in the richly colored journeys and identities that shape our stories.” Her vision underpins the gallery’s commitment to celebrating diverse narratives and fostering meaningful conversations about African identity and creativity.
In the Act of Becoming: An Ode to Self and Story follows the life of former Nigerian President Chief Olusegun Obasanjo. It explores themes of education, culture, and the socio-geopolitical landscape, ultimately posing the evocative question: “But aren’t we magnificent?” This extensive archival collection is divided into distinct sections and is showcased alongside contemporary works by Ibrahim Bamidele (Nigerian, b. 1992) and Azeez Salami (Nigerian). These sections are Early Life: The Foundation, The Farmer: Roots & Earth, The Prison Years: Fortitude, Prison to Presidency, and Reflections of ‘The Man’.
courtesy of the Vanguard Gallery.
The first section examines his early life in Abeokuta, genealogy, and education. His formative years influenced his approach to life and leadership, inspiring his advocacy for food security in Africa. This section also examines his family life and connections to his farming family—through displays of clothes, photographs, and personal collectibles.
The second section focuses on his illustrious military career, particularly his role in significant events such as the Congo Crisis (1960–1961) and the Nigerian Civil War. It also examines his ascent through the Nigerian Army and eventually to Head of State from 1976 to 1979. One can find a display of his military uniform and photographs and sculptures.
The final section chronicles his time as Nigeria’s President and Commander-in-Chief. It features
memorabilia (such as written letters and gifts) from other world leaders during his time as a
civilian president, from his inauguration in May 1999 to the conclusion of his presidency in 2007.
Weaving together the exhibition is Ibrahim Bamidele’s large figurative artworks. Exploring
major themes of humanity, vulnerability, culture, and globalization, his artworks present a clash
of two worlds, where culture and intellect converge. His subjects are portrayed in vulnerable
stances, often adorned with halo-like imagery and symbolic elements of reading and holding a
book. Through this, he invites audiences to appreciate the search for a mind, of one’s own in a
global village.
His use of halo-like imagery conveys grace, beauty, and an otherworldly aura. He positions his subjects in humble, vulnerable stances—such as sitting on a stool or lying on a bed—inviting audiences to connect with their humanity and appreciate their inherent dignity. This approach allows his subjects to inhabit a multicultural world and explore its vast possibilities. Bamidele’s works often feature Ankara fabrics, newsprint, and rich dark tones, offering a striking reflection of his cultural heritage.
Fabric and oil on canvas. 107 x 152 cm. Image courtesy of The Vanguard Gallery.
Similarly, Azeez Salami integrates chessboards and chess elements into his evocative paintings as metaphors for life. His subjects are often depicted suspended mid-air, their feet resting on chessboards, striving for chess pieces that remain just out of reach, or engaged in the game itself. Through his figurative and surrealist style, Salami explores themes of resilience and transformation. He invites audiences to reflect on their journeys and challenges.
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Oil and acrylic on canvas
167 x 112 cm. Image courtesy of The Vanguard Gallery.
Through the lens of President Olusegun Obasanjo—a direct beneficiary of Nigeria’s educational and political systems —Modeleola Shodipo highlights the transformative power of education in shaping Africa’s dynamic sociopolitical and geopolitical landscape. By connecting Obasanjo’s roots in Abeokuta with his roles as a son, father, military leader, statesman, farmer, and writer, she weaves a multigenerational narrative that bridges the past, present, and future. This narrative underscores the enduring foundations that continue to shape Africa’s socio-political identity.
The exhibition opened on 27th December with a documentary screening, a round table
discussion, and a private viewing attended by former President Obasanjo and other distinguished
guests.
Click here to learn more about the gallery and its latest collection.
