The Smart Museum of Art Showcases “Not All Realisms: Photography in Africa” Exhibition

The Smart Museum of Art in the University of Chicago is exhibiting “Not All Realisms: Photography in Africa.” The exhibition highlights the role of photography in shaping our perception of the continent. Notably, the exhibition showcases works by renowned artists like James Barnor, Malick Sidibe, Njideka Akunyili, who have significantly contributed to the development of photography in Africa.

In the 1960s, photography played an instrumental role in Africa’s struggle for independence and self-determination. During this period, African photographers directed their lenses towards their communities, documenting the everyday lives of ordinary people and their struggles for social and political justice. This innovative approach to photography challenged the representation of Africa in the Western media, which often perpetuated colonial stereotypes. Instead, these photographers captured the essence of African identity and culture, providing a new way of seeing the continent.

A young Ghanaian woman is featured in the photograph, challenging the notion that photography is only for men. This image emphasizes the role of women in African photography’s development and their contribution to shaping the continent’s visual culture. Malick Sidibe’s works, including “Tiep à Bamako” and “Nuit de Noel,” capture the lively energy of Mali’s post-independence era. Sidibe’s photographs provide a unique perspective on African modernity and urbanization by showcasing the country’s nightlife, fashion, and youth culture.

Njideka Akunyili Crosby’s “Super Blue Omo” and “Dwell: Aso Ebi” challenge traditional notions of African identity and cultural authenticity. Her mixed-media works explore the complexities of the African diaspora experience and the interplay between personal and collective memory.

The exhibition also includes Amir H. Fallah’s 2018 painting “Calling on the Past,” which lends its title to the exhibition. The painting features a group of people gathered around a table, looking at a collection of photographs. The image captures the power of photography to evoke memories and stimulate conversations about the past and the present.

“Not All Realisms” celebrates African visual culture and photographers’ role in shaping understanding. It’s a powerful testament to the enduring relevance of photography.They challenge colonial stereotypes and offer a new perspective on African identity, culture, and history.