Temple Muse and Daniel “Pengrapher” Oshundaro present ‘Renaissance Reformed’, a compelling solo exhibition curated by Avinash D. Wadhwani. The exhibition delves into the Oshundaro’s transformative exploration of identity, materiality and the interplay between self and environment. The exhibition’s title captures Oshundaro’s reimagining of classical masterpieces through a contemporary lens. By weaving elements of graffiti, surrealism and figurative abstraction into these reinterpretations, he bridges the past with the present, offering a fresh perspective on time-honored artistic traditions.
Oshundaro, known for his striking fusion of surrealism, figurative abstraction, graffiti, sculpture and creative photography, brings his personal and artistic journey to the forefront. Having lived in Nigeria and Eastern Europe, his work is an ongoing dialogue between cultural landscapes and artistic reinvention. Utilising diverse materials such as oil, acrylic, spray paint, emulsions, carbon fiber, bronze, polyester, and terracotta, his pieces reflect resilience, fragility and the ever-evolving nature of self-expression.
His work seamlessly fuses African heritage with European influences, creating a universal dialogue on identity and transformation. His pieces serve not just as visual statements but as calls to unity, compassion and introspection. Curator, Avinash D. Wadhwani describes the exhibition as “a reawakening, a manifesto of transformation that challenges us to redefine how we see and engage with the world through artistic expression”.
Central to ‘Renaissance Reformed’ is Oshundaro’s belief in active creation, an idea captured in his philosophy of “PEN PALS,” a recurring character that symbolises friendship, mutual respect and shared responsibility. Through Pals, Oshundaro conveys the belief that art has the power to heal societal divides and cultivate empathy. His practice extends beyond the gallery, with murals that transform public spaces into places of community engagement and reflection.
Daniel Oshundaro holds a BA in Creative Art from the University of Lagos, Nigeria and a BA in Sculpture from the Academy of Arts, Novi Sad, Serbia. He also holds a master’s degree from the University of Novi Sad and was recently awarded the prestigious ERASMUS+ scholarship to study at the Academy of Fine and Applied Arts in Bratislava, Slovakia.
Oshundaro’s work has been featured in publications such as LeMonde, BusinessDay, Dnevnik I, N1 VESTI, The Rwanda Times, The Guardian Nigeria, Metal Magazine, Global Times Magazine and many more. This exhibition marks a significant milestone for Oshundaro, featuring the largest number of pieces he has ever displayed. The Temple Muse space allows him to present a diverse range of artistic expressions, providing an immersiveand multifaceted experience for visitors. The exhibition also marks his long-awaited return to Nigeria after four years, making it a homecoming celebration filled with anticipation from friends, family, and patrons.
‘Renaissance Reformed’ will be on view at Temple Muse until the 30th of March. The exhibition offers an immersive experience that invites viewers to engage, reflect and be part of a movement that transcends boundaries. Temple Muse continues its tradition of nurturing local talent and offering its clients cutting-edge contemporary art from Africa and beyond. Visitors to ‘Renaissance Reformed’ can expect a visually captivating and introspective experience, where the boundaries between awareness, intuition and artistic expression are fluidly explored. The exhibition is sponsored by ZTL Liquid Transfer Limited and Chivas Regal.
