While I often find myself in a love-and-hate relationship with textile fabrics, perceiving them as redundant and repetitive at times, the works of Marcellina Akpojotor offer a refreshing perspective. They constitute a significant part of her ongoing research on generational legacies and the evolving nature of archives. Through the utilization of photographic materials and Ankara collages, her creations adeptly evoke memory and identity, serving as poignant reminders of our connections to the past.
Furthermore, on the 11th of April, Marcellina will proudly present her inaugural solo exhibition in the UK titled ‘Joy Of More Worlds’ at Rele Gallery, London, adding another milestone to her artistic journey. This exhibition promises to be a captivating exploration of her artistic vision, inviting viewers to delve into realms where past and present intertwine seamlessly.
Hailing from Lagos, Nigeria, Marcellina’s artistic journey began with the nurturing of her creativity and drawing skills by her father. This early influence set her on a path toward further exploration, leading her to pursue studies in Art and Industrial Design at Lagos Polytechnic. Her artistic endeavors are deeply rooted in her cultural heritage, as evidenced by her rich utilization of traditional Khanga and Ankara Fabrics, sourced from Nigerian fashion houses.
Delving deeper into her practice, Marcellina delves into the intricate politics surrounding these fabrics, believed to have originated from Dutch influences. Within her work, the fabric transcends its material form, becoming a potent cultural signifier imbued with layers of meaning. It serves not only as a medium for artistic expression but also as a conduit for memory and shared energy, reflecting the interconnectedness of individuals and communities. These elements are masterfully woven into her creations, enriching her artwork with depth and resonance.
In her artist statement, she states:
“In my artistic process, there’s no staged setup; instead, I seize moments of joy and weave textiles, acrylics, and other materials onto the canvas. I create collages that reflect layers of meaning and emotion woven into their fabric. I want my audience to delve deeper into the essence of human experience.
My first solo exhibition in London represents a significant milestone in my artistic journey. It’s not just about showcasing my work, but also about sharing my story, my culture, and my vision as an artist”.
Through her work, she transforms the fabric into a familiar language, thereby bridging the gap between the past and the present seamlessly. The Ankara, in particular, speaks to the artist’s belief in the medium of cloth as a marker of identity and the links to family lineage. In an era where hand-me-downs and thrift stores prevail, finding a connection through fabrics emerges as a familial way to connect to our past selves and envisage our future selves.
The large-scale paintings, coupled with textile collages, effectively communicate Akopojotor’s intent of paying tribute to the women who came before her. Furthermore, ‘Joy of More World’ aptly traces the family ties and timelines, connecting the joint spirit of contemporary African women.
The opening reception starts at 6 to 8 pm at Rele Gallery, 5-7 Dover Street, London. For more information about the artists, click here.
Click here to learn more about the works.
