The Montague Contemporary Gallery is presents the program “PAST IS PROLOGUE II”. In partnership with Cole Harrell, the program aims to foster a continuous dialogue between classical African sculpture and contemporary works by today’s leading African artists. The organizers present new creations by painters Beatrice Wanjiku and Marc Standing. They are also excited to introduce rare classical objects to the market. This article provides an overview of the event and the two amazing artists featured.
This exhibition sets the stage for an engaging conversation between the past and present. It juxtaposes classical African sculpture with contemporary artworks, with the aim of sparking thought-provoking discussions. The exhibition debuts on the 18th- 30th May. Its key themes include cultural heritage, artistic influences, and the evolution of African art.
Beatrice Wanjiku and Marc Standing, are two prominent painters pushing the boundaries of contemporary African art. The artist’s work will be on display at the montage contemporary art gallery. Their creations challenge traditional notions and provide a fresh perspective on the rich artistic traditions of Africa
Beatrice Wanjiku (b. 1978, Kenya) is a prominent Kenyan painter known for her thought-provoking works. Wanjiku explores the current era, sensing a world in turmoil. She reflects on the unsettling impact of social and political situations. Her paintings serve as a mirror of the human experience, urging us to navigate our constantly changing social spaces. Additionally, she challenges the illusion of freedom. With her art, Wanjiku aims to rediscover our true selves and find meaning amidst shifting realities. She delves into the essence of our humanity, portraying the duality of our inner selves and the constant struggle for reinvention. Through her portraits, she invites viewers to introspect and reevaluate themselves.
Wanjiku’s works embody the shared experience of being human, transcending physical differences. She deconstructs the human body, particularly the ribcage, as a metaphor for our mental framework. Her darkened hues and layered techniques convey depth and rebirth, symbolizing new beginnings and reclaiming hope. By stripping away societal norms, Wanjiku seeks to reveal the core of our existence, both physically and mentally. Her paintings resonate with universal themes of identity, belonging, and existence, inviting viewers to contemplate profound questions.
Marc Standing is a British – Zimbabwean artist whose work is influenced by personal experiences and societal complexities. His ethereal and abstract practice reflects his search for identity and collective consciousness. Drawing inspiration from nature and societal influences, his works embody both mental reflections and dynamic organic systems. With a primary focus on identity, Marc Standing explores how cultural identity shapes our definition of ourselves.
Through his art, he seeks to comprehend the disarray of contemporary culture. In this exhibition, Standing presents four mixed media works on paper, combining collage, ink drawing, textiles, and glitter. These elements overlap and collide, contained within delicately hand-stitched borders. By subverting traditional craft norms, he creates a magnetic allure, compelling viewers to delve beneath the surface and engage with the profound themes addressed. The artworks that emerge are captivating to the touch and provoke contemplation.
Accompanying these contemporary works are exceptional classical objects that offer glimpses into the artistic legacy of Africa. Among them is the Songye Nkisi community power figure, a remarkable artifact never before displayed. Carbon dating places it in the late 18th century, providing valuable insights into the historical context of African sculpture. This extraordinary piece carries within it the stories and beliefs of the past, inviting viewers to contemplate the cultural and spiritual significance it held for its creators.
The 2nd edition of the exhibition builds upon the success of its predecessor by continuing the dialogue between classical African sculpture and contemporary art. Through the visionary works of Beatrice Wanjiku and Marc Standing, alongside the remarkable classical objects on display, this exhibition provides a unique opportunity to appreciate and reflect upon the rich artistic heritage of Africa. By embracing the interplay between tradition and innovation, it encourages viewers to actively participate in the ongoing conversation about African art and its relevance in today’s global context.
