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Palais de Lomé, Togo’s First Art Park, Redefines Colonial History

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Palais de Lomé, Togo’s inaugural art park, is rewriting history with a progressive and non-colonial narrative. This space, once under the dominion of German and French colonizers, has evolved into a creative beacon. Today, it continues to challenge entrenched historical imprints. Currently showcasing monumental works by the Togolese, Beninese, and Brazilian artist Kossi Aguessy, whose dream was to exhibit in Togo before his passing in 2017, Palais de Lomé stands as a testament to cultural resilience and transformation.

The Palais de Lomé.Image courtesy of Art News.

In alignment with this visionary artist’s dream, the museum’s walls now resonate with his works alongside others, creating a rich tapestry of cultural expression within its majestic confines. The history of Palais de Lomé is a captivating saga, unfolding as a central force in cultural development since its renaissance in 2019.

Established in 1905, the Palais de Lomé was once symbolic of colonial power under the German empire. However, it has undergone a profound transformation, shedding its colonial past to emerge as a symbol of cultural pride. Sonia Lawson, the founding director, envisioned not just an art center but a space for the people of Togo—a space that was once off-limits during the colonial era.

The current exhibition on the ground floor of Palais de Lomé features the remarkable sculptures of Kossi Aguessy. His captivating work showcases a rich tapestry of West African culture. His posthumous tribute marks a significant step in realizing his dream of showcasing in Togo. Beyond individual exhibitions, the Palais de Lomé has become a dynamic hub for cultural exchange. As of today, it continues to host shows that delve into Togo’s history and Pan-Africanism.

Works by Kossi Aguessy are currently showcased at the bottom floor of Palais de Lomé. Image courtesy of Art News

The history of Palais de Lomé is a testament to its resilience and transformation. From its origins as a colonial residence to its abandonment and subsequent revival in 2014, it has evolved into a multifaceted space. Today, it houses exhibition spaces, a library, a bookstore, an auditorium, a botanical garden, and restaurants. The Palais de Lomé is a true embodiment of Togolese cultures and diversity.

Collaborating with local talent, Palais de Lomé extends its impact beyond traditional art spaces. The ongoing exhibition, “Dig Where You Stand,” curated by Rosemary Esinam Damalie, exemplifies this ethos. It connects Togo to Ewe-speaking countries, fostering African solidarity and challenging the language barriers that were once tools of colonization.

Event Poster. Image courtesy of Rosemary Esinam Damalie’s Instagram.

Palais de Lomé, with its inclusive approach and commitment to community engagement, stands as a beacon of cultural resurgence. It challenges the colonial narrative and provides a platform for local artists and artisans, emphasizing their crucial role in shaping the cultural landscape of Togo. In a world of evolving perspectives, Palais de Lomé stands tall as a symbol of progress, unity, and cultural pride, redefining the narrative for a more inclusive and forward-thinking Togo.

Author

Rose Mwikali Musyoki is a creative writer from Nairobi, Kenya. She holds a Bachelor's degree in Business and Finance from the University of Embu, Kenya, and is the founder of Bloom Inc, an art startup in Kenya. Currently, she works as a writer for Art Network Africa.

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