Tiwani Contemporary presents Virginia Chihota’s Munoonei kana makaditarisa nhai Mwari?/What do you see when you look at me ohh God? and For want of a horse, a button was lost by Felix Shumba, this June. Virginia Chihota uniquely visualises her inner world as an emotionally shifting, symbolic terrain—a reconnaissance marked…

Southern Guild Cape Town presents Thresholds, a group exhibition welcoming the multidisciplinary work of 18 contemporary artists. The exhibition abstracts notions of place, documenting the body’s precarious negotiation with land, and questions our architectures – both physical and ideological – that contain, shape, root, liberate and define us.…

kó presents Dissonance and Disturbance, a solo exhibition of new oil paintings by Tofo Bardi. This body of work continues Bardi’s exploration of fear, anxiety and the subconscious through a cast of spectral figures that emerge within surreal, psychologically charged landscapes. These imaginary characters represent fragmented versions of the…

It’s easy to market and capitalize on education, but teaching value is an entirely different challenge. The African higher education system continues to be a point of intrigue for social researchers. As the world shifts toward a more service-based and knowledge-driven society, the global rise of African scholars…

Nigerian designer Nifemi Marcus-Bello received a Special Mention at the 2025 LOEWE FOUNDATION Craft Prize for his work, TM Bench with Bowl. The award was presented by architect Patricia Urquiola during a ceremony at Madrid’s Thyssen-Bornemisza National Museum. This recognition highlights Marcus-Bello’s innovative approach to contemporary African design…

This year’s 18th edition of the Affordable Art Show, Kenya feels less like a celebration of art and more like a reminder of how institutional structures have the potential to stifle young and emerging talent. The organizers have made an incremental increase on the museum entry fees on the opening night…

The National Troupe of Nigeria (NTN) and the African School of Economics (ASE) have signed a groundbreaking Memorandum of Understanding (MoU) aimed at advancing African heritage and promoting growth in the arts and creative economy. NTN Artistic Director/CEO, Hajja Kaltume Bulama Gana, fsna; ASE Registrar, Mrs Emi-Fowowe Ogunboye,…

Kapwani Kiwanga receives the prestigious 2025 Joan Miró Prize award in recognition for her powerful, research-based installations exploring history, power and social structures. The prize is presented by the Fundació Joan Miró in Barcelona, with the support of the Stavros Niarchos Foundation (SNF) and CUPRA. The international jury…

G.A.S. Foundation and the Yinka Shonibare Foundation have announced the artists selected for the 2025 edition of the Ìmòra Arts Intensive – an initiative named after the Yoruba words Ìmòra (support, guidance, mentorship) and ìmò ẹkọ (knowledge, skill-building). Selected Artists for 2025 Ìmòra Arts Intensive (Image credits: G.A.S.…

Benin has successfully reclaimed a 17th-century royal chair, known as a kataklé, from Finland, marking a significant milestone in the country’s ongoing efforts to repatriate cultural heritage looted during colonial incursions. Mari-Leena Talvitie, Finland’s Minister of Science and Culture, and Jean Michel Abimbola, Benin’s Minister of Culture, during…

When you hear the phrase “Contemporary African Art” what comes to mind? A splash of bold colors? Something political? Maybe a sculptural piece made from old bottle caps? If you’re a bit unsure, you’re not alone. The term “contemporary” can feel a little abstract—especially when it’s paired with something as…

STEVENSON presents Ukwanda kwaliwa ngumthakathi, Mawande Ka Zenzile’s 10th solo exhibition with the gallery and Lusochroma, a solo exhibition by Guy Tillim. This is what Zenzile had to say, “To celebrate this milestone in my art career, I have titled this exhibition Ukwanda kwaliwa ngumthakathi. This isiXhosa phrase translates to…