Hip Hop Exhibition at the Baltimore Museum of Arts Features 5 African artists

Hip Hop is a global phenomenon that has defied boundaries. It is continuously evolving, to embrace diverse renditions and genres to reach new heights of creativity.

‘Music is a weapon of the future, a weapon for progress, and a weapon for giving life’ – Fela Kuti.

Coinciding with the 50th anniversary of hip-hop’s birth, “The Culture: Hip Hop and Contemporary Art in the 21st Century” exhibition at the Baltimore Museum of Art features over 90 artists from all over the world who examined the concept of Hip Hop in the 21st century. The exhibition delves into different themes, offering an imaginative journey through hip-hop’s world. With five African artists contributing, the exhibition presents a synchronized analysis of African culture and its influence on hip-hop’s evolution. Let’s explore remarkable works that examine the African influence in Hip Hop.

Black Feminist Movements with Tschabalala Self

Tschabalala Self’s work exemplifies Black feminist movements, capturing the spirited and cultured female essence. Layering intricate textiles and paint patterns, her images reflect cultural richness. For instance, “Setta’s Room 1996” depicts a Black teen girl( Inspired by her sister) in a hyper-feminine polka dot outfit, holding a landline phone with fancy yellow nails. A poster of Lil’ Kim’s groundbreaking album, “Hard Core,” decorates the pink wall. Self exposes over-sexualized stereotypes imposed on Black women and challenges societal expectations of Black girls’ innocence.

Yvonne Osei’s work, “Extensions,” showcases the evolving process of hair braiding. Her installation and photographs explore the influence of Western media on Western African culture while referencing her Ghanaian roots. In her artwork, two women are seen braiding another woman’s hair, reflecting the traditional practice in many West African households. Braiding has become a popular hairstyle among Black and African individuals worldwide. Osei’s work offers a raw perspective on braiding techniques within a traditional Western cultural context.

Olubunmi Akinbola and Kudzinai Chiurai examine the concept of Adornment

Anthony Olubunmi Akinbola’s piece, “Camouflage #005 (Rick James),” highlights the significance of durags in hip-hop culture. As a first-generation Nigerian American, Akinbola examines the assumptions associated with durag-wearing based on media stereotypes. His work prompts a reevaluation of these objects, playing with transformation and context. Similarly, Kudzinai Chiurai confronts government corruption, xenophobia, and inequality through multimedia compositions. His works blend history with modernity, exploring the impact of colonialism and independence. In 2008, Chiurai’s activism forced him to flee Zimbabwe due to government threats.

Hassan Hajjaj Tribute to Morroco

Hassan Hajjaj, influenced by the vibrant streets of Morocco, captures the cultural richness in his portraits. His photographs feature iconic individuals like Cardi B and Swizz Beatz immersed in Moroccan culture. Hajjaj’s frames incorporate everyday commercial products, adding a unique touch to his fusion of North African and Western iconography.

“The Culture: Hip Hop and Contemporary Art in the 21st Century” at the Baltimore Museum of Art presents a diverse range of contemporary works that celebrate the artistic expression and influence of hip-hop. You can view the works on the Baltimore Museum website.