The upcoming Venice Biennale promises a notable shift in representation. Unlike previous editions, this year’s 60th biennale will host 13 African countries. With countries like Nigeria and Morocco introducing emerging and established talents, newcomers from East Africa—Tanzania and Ethiopia—are set to make their mark on the international stage.
The Kenyan Pavilion, themed “Roots of Return,” presents artists from the esteemed MUTUMA MARANGU. SCULPTURE & ART COLLECTION. Drawing inspiration from Kenya’s rich cultural heritage, Elkana Ong’esa, Gerald Oroo Motondi, Robin Okeyo Mbera, John Tabule Abuya Ogao, Peter Kenyanya Oendo, and Charles Duke Komboa explore the nation’s origins and cultures, championing European art styles like cubism. Curated by Mikla Mugo and Edward Mwaura Ndekere, this pavilion weaves a narrative of cultural preservation and innovation.
Ethiopia makes its debut at the Biennale with the Ethiopian Pavilion. This year features works by Tesfaye Urgessa under the theme “Prejudice and Belonging,” curated by Lemn Sissay. Tesfaye’s exploration of identity in a globalized world resonates deeply. He reflects on the influences of urbanization and globalization on young Africans. Through Ethiopian iconography, he presents a narrative of self-discovery and collective identity.
The Ugandan Pavilion, themed “Wan Acel (We are one),” celebrates the nation’s diverse artistic heritage. Curated by Juliana Naumo Akoryo and Elizabeth Acaye Kerunen, the pavilion showcases works by artisans like Sanaa Gateja and Taga Nuwagaba, reflecting Uganda’s vibrant cultural mosaic through beadwork, iron sculptures, and other mediums.
At the Tanzanian Pavilion, located at Calle del Forno 3857, Venice, the United Republic of Tanzania proudly presents the works of Happy Robert, Naby, Haji Chilonga, and Lute Mwakisopile. Titled “A Flight in Reverse Mirrors” and curated by Adriano Pedrosa, this exhibition delves into the transition from colonization to decolonization. Furthermore, it explores the intricate relationship between humanity and nature. The pavilion showcases a rich tapestry of African heritage, from portraits of renowned Tanzanian figures to mythical allegories of resilience.
In a recent interview with Art Review Magazine, Happy Robert shares his aspirations to showcase his painting prowess and engage with artists from diverse cultural backgrounds. Meanwhile, Naby underscores the significance of visibility and recognition for Tanzanian artistry, advocating for acknowledgment on the global stage.
Found keyboard keys, bottle caps, and toothbrush heads
320 × 400.1 × 5.1 cm. Image courtesy of Artsy
Lastly, the Zimbabwean Pavilion, curated by Fadzai Veronica Muchemwa, brings together five artists. The artists include Gillian Rosselli, Sekai Machache, Moffat Takadiwa, Kombo Chapfika, and Troy Makaza. Their diverse works symbolize Zimbabwe’s evolving social landscape and artistic expression. Dr. Kirsty Coventry, Minister of Youth, Sport, Arts, and Recreation, celebrates Zimbabwe’s record seventh participation. She emphasizes its role in national image-building and international cooperation.
From April 20th to November 24th, 2024, the Venice Biennale in Italy will be a global stage. It will showcase the rich artistic talent and diverse narratives of East Africa and beyond.
