ANA Spotlight

Circle Art Gallery opens Three Concurrent Solo Exhibitions in Nairobi

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Circle Art Gallery recently debuted three concurrent shows, featuring sculptural artists from Kenya: Austine Adika (b.1986), Wanjohi Maina (b.1986), and Ngugi Waweru (b.1987). With distinct titles and styles, the exhibition aims to explore unique sculptural languages reflective of the artists’ experiences and aesthetics. Let’s delve into the different artists and their works together.

Upon entering the exhibition, visitors immediately immerse themselves in a world of contemplation and familiarity. The exhibitions, set against Nairobi’s backdrop, offer a cohesive exploration of often overlooked aspects of the city. Wanjohi Maina’s “Hawkers Republic” greets guests, showcasing meticulously painted steel plates capturing moments of street commerce in Nairobi. From snack vendors to water sellers, Maina’s sculptures invite viewers to pause and acknowledge these individuals, often forgotten in the hustle of Nairobi life.

HAWKERS REPUBLIC XXXIX (SOCKS), 2022
Spray paint, acrylic, highlighter on steel
53 x 65 x 6.1 cm. Image courtesy of Circle Art Gallery.

Austine Adika’s exhibition, “R n B”, Roses and Butterflies serves as the focal point of the show, providing a symphony of thought-provoking sculptures crafted from everyday discarded materials. The works confront issues of identity, fertility, and beauty and examine how these aspects are portrayed and imagined in our daily endeavors. Adika’s meticulously crafted sculptures challenge viewers to confront societal lies and human behavior. With robotic features and headless figures engaged in various activities, his works evoke contemplation and introspection. Two large sculptural works titled “‘Mag Piny’1 and 2 (Of Life)” conclude Adika’s exhibition, crafted from carrier bags and upcycled ink cans.

Roses and Butterflies installation at Circle Art Gallery Nairobi. Image courtesy of the artist.

Ngugi Waweru’s wall sculptures, made from worn-out knives and other found materials, pay homage to his Kikuyu heritage. Inspired by a Kikuyu proverb, Waweru’s work reflects on the consequences of overconsumption and capitalist growth in impoverished areas.

Through six captivating works, Waweru challenges viewers to reconsider their relationship with goods, each other, and the environment. The exhibition sheds light on pressing societal issues while celebrating the rich artistic talent emerging from Kenya. The exhibitions provide an opportunity for dialogue and appreciation of the diverse narratives presented.

Earth Heart,2023. Worn out knives, motorcycle chains, iron bars, binding wire/copper. 138cmX117cmX6cm. Image courtesy of artist’s Instagram.

These exhibitions offer an immersive experience, inviting visitors to explore the depth of Kenyan sculpture. With each artist presenting a distinct perspective, the exhibitions provoke thought and reflection on societal issues while celebrating the artists’ unique talents and visions.

Click here for more information about the exhibition.

Author

Rose Mwikali Musyoki is a creative writer from Nairobi, Kenya. She holds a Bachelor's degree in Business and Finance from the University of Embu, Kenya, and is the founder of Bloom Inc, an art startup in Kenya. Currently, she works as a writer for Art Network Africa.

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