Chris Ofili, caught the attention of former New York City mayor, Rudolph Giuliani, with his daring incorporation of elephant dung in his portraits. Ofili’s exploration of identity within the context of African diasporic traditions is a defining characteristic of his artistic practice. Twenty-four years later and his work has become the epitome of spirituality.
Currently on display at the London Gallery Weekend, Chris Ofili’s latest exhibition delves into the concept of the seven deadly sins. He further examines the influence of this notion on human behavior and the human condition. This immersive exhibition, running until July 29th, features collaborations with poets who provide poetic descriptions for each painting, inviting personal reflection on individual behaviors.
The artworks themselves showcase intricate patterns that symbolize movement and the spiritual realm. Created during the Covid-19 pandemic, the artworks show humans and mythical creatures living together in heavenly and cosmic realms, creating a dreamy atmosphere. The mysterious and abundant natural world captivates with its irresistible charm, emerging from a state of imagination beyond logic.
Drawing from his religious background, the body of work offers a deep reflection on human consciousness and spiritual references. However, he intends each artwork to be more than a mere commentary on one of the deadly sins. Instead, he aims to showcase the extensive and transgressive nature of the subjects he explores.
One prominent piece in the exhibition is “The Harvester,” a recurring figure dominating Ofili’s work. This painting portrays a vibrant realm of transition and creativity, depicted by spore-like forms emanating energy and flowers emerging from faces. Additional figures, including a satyr, bear flowers that symbolize artistic expression. ‘The Harvester’ releases ribbons of diaphanous colors, enveloping a transparent figure.
Collaborating poet Inua Ellams comments on “Greed,” the subject of the painting, stating, “Greed, like lust and gluttony, is a sin of desire. However, this desire is to acquire more than one needs.”
About the artist
Born in Manchester, UK, to Nigerian parents, Chris Ofili’s upbringing in a roman catholic household strongly influences his artistic subjects. Early in his career, he gained attention for using unconventional materials such as elephant dung. Moreover, he challenged traditional notions of art thereby prompting viewers to contemplate material value. Notably, his painting “The Holy Virgin Mary” sparked controversy at the Brooklyn Museum of Art during the “Sensation” exhibit in 1999.
In his works, Chris Ofili delves into complex themes that transcend simple dichotomies and explore moral and temporal simultaneity. He captures characters and events in a suspended state of growth and motion, expanding the boundaries of the present moment. For Ofili, time is not merely measured in mechanical units but conceptualized as a sweeping force, allowing for a broader exploration of the human experience.
“The 7 Deadly Sins” exhibition at the London Gallery offers a captivating exploration of human conditioning and behavior. Through his masterful use of colors and ethereal beings, Ofili creates a tranquil and meditative environment, encouraging contemplation and introspection. To learn more about the exhibition, access the catalog and overview of the artworks, visit the provided link.
