In the dynamic world of contemporary art, the multifaceted Olaolu Slawn stands as a unique and enigmatic figure. Born on October 24, 2000, in Lagos, Nigeria, Slawn’s journey to artistic prominence is as unconventional as his creations. Slawn, a self-described “scam artist,” resists characterization by effortlessly transitioning between his positions as a painter, skateboarder, and designer. His narrative, which has its origins in the energetic streets of Lagos and is now recognized throughout London’s creative districts, is proof of the limitless potential of creation.
In his late teens, Slawn found his artistic footing amidst the buzzing atmosphere of Wafflesncream, Nigeria’s pioneering skate shop. It was there that he created bonds with kindred spirits Leo and Onyedi, in a way that would ignite his creative journey. They collaborated to create Motherlan, an apparel company that not only dabbled in skatewear but also probed the soul of Lagos’ skate culture with films like “Edward.” Their daring approach clearly earned them international notoriety, grabbing the interest of late fashion mogul Virgil Abloh.
Olaolu Slawn relocated to London in 2018 to study graphic design at Middlesex University. The restrictions of a lockdown spurred Slawn to pick up a brush, ushering in a prolific exploration of painting. His canvases, filled with squiggly graffiti and vivid pop art, began as playful statements. Nonetheless, beneath the surface lies profound subjects resonating with the intricacies of the world he navigates – political challenges, racism, human psychology.
Slawn’s artistic journey reached a crescendo in 2021 with his debut exhibition at the Truman Brewery on Brick Lane. What began as random graffiti exchanged among pals further became sought-after works fetching exorbitant amounts at auctions. In addition, he continues to challenge views and shatter norms in a career that defies convention, reminding us that true craftsmanship knows no bounds.
His disruptive impact extended beyond canvas and paint. Slawn has also coordinated a charity auction at Sotheby’s alongside Skepta. A major highlight of Slawn’s career was his indelible mark on the famous Brit Awards of 2023. He not only designed the iconic Britannia figurine but also shaped the complete set, becoming the youngest and first Nigerian-born artist to do so.
Olaolu Slawn is a beacon of innovation in the art world with his cheeky charm and unwavering commitment. Slawn’s Instagram also serves as a virtual gallery. It became the conduit for his creations, enthralling a global audience with his particular aesthetic.
In a recent collaboration, Slawn and Nigerian musician ODUMODUBLVCK transformed ‘Eziokwu’ album cover, reflecting rich symbolism. In an interview with NATIVE, Slawn detailed how the artwork blended Nsibidi symbols, embodying ODUMODUBLVCK’s heritage and authenticity. The two faces in the artwork’s center equally symbolized the artist’s public and private personalities, reflecting his duality. The colour scheme of red, black, white, and yellow emanated power and life, matching the spirit of ODUMODUBLVCK.
An instinctive artistic process and a shared creative spirit among the creators distinguished the collaboration. It further emphasized the depth of their connection and shared creative energy. Without a doubt, Slawn’s contribution to the ‘Eziokwu’ mixtape cover was a significant celebration of brotherhood, truth, and innovation within the Nigerian Drill music community.
Some of his artworks include “Moses” (2022), “James” (2022), “Self Portrait” (2022), “Cat and Frog (Diptchy),” and “Blueboy” (2021). Notable collectors of Slawn’s art include Skepta, Angelo Baque, Tremaine Emory, Iris Law, ASAP Rocky, and the late Virgil Abloh.
Despite the awards and admiration, Slawn remains rooted in family values. On May 22, 2023, he launched BeauBeau’s Cafe in East London, a wonderful testimony to his dedication. This family-run establishment, named after his son Beau, epitomizes Slawn’s entrepreneurial energy, creating a place where art, warmth, and community merge.
