The Alexandria Biennale for Mediterranean Countries will reopen in September 2026 after a 12-year break, marking a major revival of Egypt’s cultural life.
The biennale, founded in 1955 under President Gamal Abdel Nasser, is the third oldest of its kind after Venice and São Paulo. The event last took place in 2014, following the political and economic unrest of the 2011 revolution. It was later halted due to financial and logistical struggles. Its return reflects a renewed commitment to positioning Alexandria as a hub for Mediterranean and African cultural exchange.
Artist Moataz Nasr, born in Alexandria, will curate the biennale under the theme “This Too Shall Pass.” The theme emphasizes resilience, hope, and art’s power to heal societies. Nasr explained that Egypt’s art scene has been stagnant and that the biennale must return at a high standard to create impact.
The 2026 edition will spread across Alexandria’s historic landmarks. Venues will include the Roman amphitheatre, Bibliotheca Alexandrina, Qaitbay Citadel, and Fouad Street, one of the world’s oldest thoroughfares. Alongside the main exhibition, capsule shows in local museums will highlight emerging Egyptian talent.
Unlike past editions, which relied almost entirely on government support, the biennale will adopt a public–private partnership. The Ministry of Culture and the Alexandria Governorate will provide backing while private patrons such as Mai Eldib, Ahmed Shaboury, and Hisham El Khazindar will fund and guide the project. Organizers believe this model will ensure sustainability and creative independence.
Minister of Culture Dr. Ahmed Fouad Heno and Governor Ahmed Khaled announced that Alexandria will transform into an open-air exhibition. It would also include public spaces, gardens, and historic sites hosting installations. Dr. Heno said the comeback affirms art as part of Alexandria’s identity and soft power.
The Alexandria Biennale’s revival signals Egypt’s growing cultural momentum, alongside projects like the Grand Egyptian Museum and contemporary shows at the Pyramids. Its return repositions Alexandria as a bridge for Mediterranean and African art.
