Art in the Diaspora

African Pavilions Set For Venice Art Biennale 2024

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The Venice Art Biennale 2024 promises a rich representation of contemporary African art, with various countries showcasing their unique cultural perspectives and creative talents. Nigeria, the Republic of Benin, Zimbabwe, Senegal, Tanzania, Ethiopia, Kenya, Cameroon, the Democratic Republic of Congo, Ivory Coast, South Africa, and Uganda are among the nations participating, each bringing forth a curated selection of artists to captivate audiences.

L-R top row: Tunji Adeniyi-Jones, Ndidi Dike, Onyeka Igwe, and Toyin Ojih Odutola; bottom row: Abraham Oghobase, Precious Okoyomon, Yinka Shonibare, and Fatimah Tuggar. Credits: Adenyi-Jones: On Whit Wall; Igwe: Regine Ullrich; Ojih Odutola: Beth Wilkinson; Shonibare: Tom Jamieson, 2023; (Photo courtesy: Artists)

Nigeria
Curated by Aindrea Emelife, the Nigerian Pavilion presents “Nigeria Imaginary,” a collection of works by eight talented artists. Precious Okoyomon, Tunji Adeniyi-Jones, Toyin Ojih Odutola, Abraham Oghobase, Fatimah Tuggar, Yinka Shonibare CBE RA, Ndidi Dike, and Onyeka Igwe offer diverse perspectives on Nigerian culture and identity.

Tesfaye Urgessa (Photo courtesy: Kameron Cooper, Tesfaye Urgessa and Saatchi Yates)

Ethiopia
Lemn Sissay curates Ethiopia’s first pavilion, showcasing the works of Tesfaye Urgessa. Urgessa’s powerful canvases challenge societal norms, addressing themes of prejudice and belonging with raw honesty and emotional depth.

Uganda
Curated by Elizabeth Acaye Kerunen, the Ugandan Pavilion showcases the collective efforts of artists like Sanaa Gateja and Xenson Ssenkaba. Their works celebrate unity and diversity, embodying the spirit of “Wan Acel” – the belief that we are all interconnected.

L-R: Chloé Quenum, Moufouli Bello, Romuald Hazoumè, Ishola Akpo (Photo courtesy: Artists)

Benin
Making its debut, the Benin Pavilion curated by Azu Nwagbogu features artists Chloé Quenum, Romuald Hazoumé, Moufouli Bello, and Ishola Akpo. Their works explore themes of fragility and resilience, reflecting on the delicate balance of life.

Cameroon
Curated by Paul Emmanuel Loga Mahop, the Cameroonian Pavilion features a dynamic roster of artists, including Liu Youju, Jean Michel Dissake, and Hako Hankson whose collective works challenge conventional narratives.

Freddy Tsimba (1967), Centres fermés, rêves ouverts (Closed centres, open dreams), Tervuren, 2016. Rebar from the Tervuren construction site, spoons from Kinshasa. IL.2016.10, collection RMCA Tervuren ; photo J. Van de Vyver © RMCA.

Democratic Republic of Congo
Curated by Michele Gervasuti, the Congolese Pavilion presents a powerful showcase of artists such as Freddy Tsimba and Cédric Sungo. Through their works, they explore themes of memory and transformation, inviting viewers to reflect on the complexities of Congolese identity.

Kenya
Under the direction of Edward Mwaura Ndekere, the Kenyan Pavilion presents a diverse group of artists including Elkana Ong’esa, Gerald Oroo Motondi, and Robin Okeyo Mbera. Through their works, they explore the concept of return, grappling with questions of identity and heritage.

L-R: Kombo Chapfika, Moffat Takadiwa, Sekai Machache, Troy Makaza and Victor Nyakaur (Photo courtesy: Artists)

Zimbabwe
Curated by Fadzai Veronica Muchemwa, the Zimbabwe Pavilion presents a thought-provoking exhibition featuring Gillian Rosselli, Sekai Machache, Victor Nyakauru, Moffat Takadiwa, Kombo Chapfika, and Troy Makaza. Through various mediums, these artists delve into societal issues, reclaiming narratives and exploring the complexities of Zimbabwean identity.

Senegal
Curated by Massamba Mbaye, the Senegalese Pavilion introduces Alioune Diagne, whose innovative “figuro-abstro” approach offers a fresh perspective on societal issues. Diagne’s works navigate themes of gender, ecology, and heritage, inviting viewers to contemplate the boundaries that shape our world.

 L-R: Haji Chilonga, Happy Robert, Naby, Lute Mwakisopile (Photo courtesy: Artists)

Tanzania
Enrico Bittoto curates Tanzania’s inaugural pavilion, featuring Happy Robert, Naby, Haji Chilonga, and Lute Mwakisopile. Through immersive installations, these artists examine the intricate relationship between humanity and nature, inviting audiences to reconsider their perceptions of the “Other.”

Ivory Coast
Curated by Simon Njami, the Ivorian Pavilion features artists like Jems Koko Bi and François Xavier Gibré. Their works offer a poignant exploration of Ivorian culture, capturing the essence of the “Blue Note” that reverberates through the nation’s history.

L-R: Portia Malatjie; MADEYOULOOK composed of Molemo Moiloa and Nare Mokgotho.  (Photo courtesy: Artists)

South Africa
Curated by Portia Malatjie, the South African Pavilion presents artists like Molemo Moiloa and Nare Mokgotho. Through their collaborative works, they delve into themes of migration and belonging. This creates a space for quiet contemplation amidst the chaos of contemporary society.

Egypt
Egyptian artists like Mariam Abdel-Aleem and Leila Babirye are featured in the Central Pavilion’s main exhibition, curated by Adriano Pedrosa. Their contributions further enrich the cultural tapestry of the Biennale, showcasing Egypt’s vibrant artistic heritage on the world stage.

An open-air installation at Venice Art Biennale

The 60th International Art Exhibition will take place from Saturday 20 April to Sunday 24 November 2024 (pre-opening on April 17, 18 and 19), curated by Adriano Pedrosa.

The African presence at the Venice Art Biennale 2024 is poised to captivate audiences and elevate the continent’s cultural significance on the global stage. From Benin to Zimbabwe, these pavilions stand as a testament to Africa’s thriving artistic landscape and its enduring legacy of creativity and innovation.

Sun & Sea designed by Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė de and winner of the 2019 Golden Lion Award (Photo courtesy: Venice ArtBiennale)

The African pavilions at the Venice Art Biennale 2024 offer a rich mosaic of stories reflecting the continent’s dynamism. They showcase both established and emerging artists, fostering inclusivity and collaboration within the global art community. These pavilions serve as platforms for dialogue on pressing social, political, and environmental issues, sparking conversations that transcend borders.

Author

Derrick Chidumebi is a creative writer and growth marketer hailing from Lagos, Nigeria. He holds a Bachelor's degree in Industrial Chemistry from Olabisi Onabanjo University, Nigeria, and is the founder of The Eko Place, a media/marketing agency based in Lagos, Nigeria. Currently, he serves as a writer for Art Network Africa.

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