East Africa

Lamba Forever Mandrakizay Exhibition Links the Malagasy Textiles

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The exhibition “Lamba Forever Mandrakizay” celebrates and analyzes the storied textile of Madagascar. It focuses on the lamba fabric intricately woven into Malagasy society. Running at Hakanto Contemporary until November 18, the exhibition showcases over 20 artists and their works, expertly curated to contrast contemporary creations with archival materials.

Sandra Ramiliarisoa’s Ny Hendry No Anarina Fa Ny Adala No Manary Lamba. Image courtesy of Hakanto Gallery.

Malagasy citizens use lamba, a traditional fabric, to create shawls and clothes. The evolution of this fabric has seen many transformations, but its relevance to the Malagasy community has remained the same.

In the post-colonial era, people used Traditional Lambas made from silk, cow hides, pig skin, cotton, and bast for burials. The material undergoes different processes to form a tie-dyed mess or plain color. This makes the fabrics distinguishable for different uses and adorned with different geometric patterns and shades. The origins of Lamba can be traced to the Sakalava villagers.

Traditionally, people used Lamba as a versatile fabric for clothing, swaddling, and ceremonial attire. Diverse artworks highlight its decline due to European second-hand clothing, carrying a sad undertone. Woven with cotton, silk, or raffia, the lamba adorns Malagasy individuals, conveying bonds and emotions. Its presence in photos from the late 19th century demonstrates its enduring place in Malagasy culture. The lamba’s significance resonates in language, symbolizing unity, life, love, and faith.

The exhibition features 21 Malagasy/ Madagascar artists, including Madame Zo, Nazaria Tooj, Jean Luc Raharimanana, and Alphonse Rakotovao. These amazing artists using diverse representations, showcase the evolution of this beautiful fabric, subject to the Malagasy culture.

Nadia Randriamorasata’s 1997. Image courtesy of Hakanto Contemporary

One stand-out piece is titled “Lambam-pianakaviana,” the artist, Goad Bensalem, deconstructs lamba to tell the story of young Doda’s journey to self-discovery. He questions the symbolism of lamba in the Malagasy family unit. He recalls the memory of the women who raised him and his unknown father. Similarly, Nadia Randriamorasata continues the family theme with her piece “1997.” Using an architectural approach, she pays tribute to her father and family history, connecting them to the world of ancestors.

The exhibition also includes the works of the writer Jean Luc Raharimanana who, through novels, and literary works, presents the soul of Malagasy.

… and I am fascinated with you, with your white Lamba
And when you dance at the party
You make so many heads spin with your white Lamba

Henri Ratsimbazafy, 1960

Indulge in this captivating exhibition, immersing yourself in the evolution of the Malagasy community through traditional textiles. Unraveling history and imagination, diverse artworks showcase the Lamba’s enduring spirit. As the Lamba continues to captivate hearts and minds, its legacy remains interwoven into the fabric of Malagasy life.

Yesterday, here and now, forever and ever.
In any attempt at a cultural representation of Madagascar, the lamba is an indispensable component.
– Hakanto Gallery

Author

Rose Mwikali Musyoki is a creative writer from Nairobi, Kenya. She holds a Bachelor's degree in Business and Finance from the University of Embu, Kenya, and is the founder of Bloom Inc, an art startup in Kenya. Currently, she works as a writer for Art Network Africa.

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