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James Barnor’s Retrospective Exhibition at the Detroit Institute of Arts

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The Detroit Institute of Arts (DIA) is currently showcasing a retrospective exhibition titled: ‘James Barnor, – Accra/London‘. The exhibition showcases the remarkable work of Ghanaian photographer James Barnor over the last six decades. Barnor started as a portrait artist and, over time, began incorporating different mediums into his work. He primarily focused on photojournalism, using it to capture the vibrant black lifestyle in various contexts.

Erlin Ibreck at Trafalgar Square, ca. 1966. Lambda Print
70 × 70 cm. Image courtesy of Artsy.

Barnor was Born in Ghana in 1929 and has been painting for as long as he can remember. He established his iconic in Accra, in 1950 to focus on photography; photojournalism. He specifically wanted to document the pivotal social and political transformations in Ghana,post-colonialism. In 1959, he moved to London to pursue further studies. He continued to show his experience through photography as he traveled between Accra and London. Through his lens, he captured the essence and experiences of London’s burgeoning African diaspora.

After his time in London, Barnor returned to Ghana in 1970, where he made a significant impact by establishing the country’s first-ever color-processing photo lab. Through his studio, he captured the vibrant music scene and lively nightlife of Ghana during that time. However, his journey didn’t end there, as he later returned to London, embarking on yet another chapter of his artistic career.

AGIP with Graphic Designer, 1974. True black and white giclée print on Hahnemühle Baryta FB 350 gsm paper
22 × 22 cm. Image courtesy of Artsy.

The exhibition surveys the artist’s profound journey, witnessing and capturing the diverse changes in both cities through his compelling body of work. It provides a captivating glimpse into the rich and diverse body of work by this extraordinary artist. The exhibition features a comprehensive collection of Barnor’s work, showcasing his travels between London and Accra. It includes a range of iconic portraits, capturing his early documentation of Ghana’s independence movements and offering profound insights into the socio-cultural fabric of the time.

Visitors to the exhibition will have the opportunity to witness Barnor’s evolution as an artist and to appreciate his keen eye for capturing the essence of his subjects. His photographs transport us across continents and generations, bridging cultural divides and celebrating the resilience and vibrancy of Black life.

The exhibition is on display at the Detroit Institute of Arts till October 15, 2023. The General museum admission is free for residents of Wayne, Oakland, and Macomb counties. You can get tickets from their website to experience this extraordinary body of work.

Don’t miss the chance to witness the captivating images that have shaped Barnor’s remarkable career. This retrospective promises to be an extraordinary journey through time and place, leaving a lasting impression on all who encounter it.

Author

Rose Mwikali Musyoki is a creative writer from Nairobi, Kenya. She holds a Bachelor's degree in Business and Finance from the University of Embu, Kenya, and is the founder of Bloom Inc, an art startup in Kenya. Currently, she works as a writer for Art Network Africa.

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