The New Museum will host a significant solo exhibition of Wangechi Mutu’s art, which will include more than 100 pieces spanning her 25-year career. Wangechi Mutu was born in Nairobi in 1972.
This exhibition “Wangechi Mutu: Intertwined” will run from March 2 – June 4, 2023
Courtesy the artist and Gladstone Gallery.
Wangechi Mutu is a contemporary Kenyan artist noted for her work conflating gender, race, art history, and personal identity. Creating complex collages, videos, sculptures, and performances, Mutu’s work features recurring mysterious leitmotifs such as masked women and snake-like tendrils. Her pastiche-like practice combines a variety of source material and textures to explore consumerism and excess: for a 2005 work titled Cancer of the Uterus, Mutu employed a medical pathology diagram, facial features cut from a magazine, fur, and a heavy application of black glitter to create an eerily distorted face.
The almost science fiction-like nature of her imagery has placed her work within the realm of Afrofuturism, and her practice is often discussed as providing an alternate course of history for people of African descent. Deeply concerned with Western commercialism, Mutu has explained that “a lot of my work reflects the incredible influence that America has had on contemporary African culture. Some of it’s insidious, some of it’s innocuous, some of it’s invisible. It’s there.” Born on June 22, 1972 in Nairobi, Kenya, she received her BFA from Cooper Union in 1996, and subsequently her MFA in sculpture from Yale University in 2000. Her work has been exhibited worldwide, including a major retrospective that opened in the Nasher Museum of Art in North Carolina in 2013, and traveled globally. In 2019, her exhibition The NewOnes, will free Us, was featured as the inaugural Facade Commission at the Metropolitan Museum of Art. It consisted of four bronze sculptures, individually titled The Seated I, II, III, and IV, that sat in each niche on the front of the museum which had previously remained empty for 117 years. The artist lives and works in Brooklyn, NY.
Her work was featured at the 56th International Exhibition of Contemporary Art, Venice Biennale (2015), and has been presented in exhibitions at institutions including Museum of the African Diaspora, San Francisco, CA (2019); travelled to Gibbes Museum, Charleston (2019); Kalamazoo Institute of Arts and several others.
Image courtesy of Artsy
Wangechi Mutu: Intertwined is curated by Margot Norton, Allen and Lola Goldring Senior Curator and Vivian Crockett, Curator. It will not only be a major exhibition but will also present a wholesome body of works that will trace connections between recent developments in the artist’s sculptural practice and her decades-long exploration of the legacies of colonialism, globalization, and African and diasporic cultural traditions. Her strategies extend across various media, developing hybrid, fantastical forms that fuse mythical and folkloric narratives with layered sociohistorical references.
Come 2023, this exhibition will showcase works that wrestles with contemporary realities, while proffering fresh ideas for a drastically changed future. This future will be informed by feminism, Afrofuturism, and interspecies symbiosis.
Image courtesy of Artsy
